
Exceptional the work by Ken Meier.
AisleOne. A visual journal on design, photography, film, music and culture.

Exceptional the work by Ken Meier.

Photo by Scott Schuman
Wear Palettes is a great blog by Swiss graphic design student Daniel that features about 1500 color palettes that are based on the photography at The Sartorialist. An excellent inspiration of color.

The third edition of AisleOne BookShelf features Emigre Issue 57 – Lost Formats Preservation Society designed and edited by Experimental Jetset. This issue focuses on the lost formats of storage data. There are some essays but it’s mostly full of visual goodness. Pages and pages of big, bold type in beautiful Helvetica designed in EJ’s typographic style.
Emigre 57 – Lost Formats Preservation Society
Designed and edited by Amsterdam’s Experimental Jetset, Emigre 57 is an homage to lost formats—a celebration of customized mixtapes, obscure computer discs, and forgotten standards. The issue, while questioning its own physical manifestation as a magazine, reminds us how once each format used to contain its own specific data, while today the CD/DVD format is capable of containing ALL data, setting the stage for the final step, the mythical non-format.
You can view more photos of the books on the AisleOne Flickr page.

I don’t feature much illustration work on here but when I do, it’s because it’s just so fucking good. My good buddy Alex is one of those kick-ass illustrators that you can’t ignore. His unique style, colors and textures make his work stand out from the rest, like a Phillies fan at Shea Stadium. Alex and I meet years ago at a dreadful agency and in those days he was building terrible Flash sites with me. Now he focuses all of his time on illustrating and we should all be grateful. A Philadelphian living in NYC, he’s done work for The New York Times and PC Magazine as well as some skateboard illo’s for 5Boro NYC. This dude is so hardcore that up until recently he’s kept Classic OS 9 on his Mac just so he could run Adobe Streamline. That’s being dedicated to your art. I’ve been asking this punk to sell me one of his illo’s as a large print for years, but he’s just slacking off. Maybe it’s cause I hate the Phillies.

Solid work by Kristina Bowers.

While rummaging through FFFFound.com I found this great online gallery (the site design is hard on the eyes) of graphic design examples from the 1920s and 1930s. You can definitely see how this early work inspired designers like Brockmann and Crouwel.
On a shameless side note, if anyone has an extra FFFFound invite I would be more than happy to take it off your hands.