Intervista: Tina Roth Eisenberg

Tina Roth Eisenberg

Tina Roth Eisenberg a native of Switzerland, grew up influenced by the renowned Swiss design and a lot of fresh air. After studying in Geneva and Munich for 5 years, she crossed the Atlantic to find herself designing and running her own design consultancy in Brooklyn, NY. Her aesthetics reveal her Swiss roots – Tina is a firm believer in white space-driven, clean, elegant design solutions. She took a moment to answer a few questions for AisleOne.

How long have you been designing?
Ever since I was able to get my hands on pens and paper. I officially started making a living of it about 10 years ago.

Who or what turned you on to graphic design?
A family member: My wonderfully crazy aunt Hugi was seeing a graphic designer at the time. He was incredibly creative and was drawing 24/7. Seeing him in action, and seeing how his creative mind worked made a huge impression.

Who or what are your influences??
PAST: Every day swiss design that I was surrouned with growing up.
NOW: Countless inspiration sources on the wonderful internet + every day vibrant NYC.

What is your favorite typeface??
Helvetica, of course, followed by FF Din and Trade Gothic.

Tina Roth Eisenberg

What is your favorite color palette to work with?
Lots of white + subtle grays + a dash of bright orange.?

Can you explain your creative process from brief to completion?
Instead of explaining my complex process I’d like to refer to a process diagramm by a company called And Partners NY.

Do you use a grid system when designing and how do you feel about them?
Yes, In my opinion, they are the necessary structure for any design. I second Khoi and Michael in their Grids Are Good presentation: “The grid is the most vivid manifestation of the will to order in graphic design”.

Who do you feel is currently doing innovative work?
Marian Bantjes – her work amazes me. AND I love her story. How she left her successful business to start doing her own design work. She’s a truly inspiring woman.

What are you working on now?
I am currently designing the User Interface for a complex content management tool for Scripps Networks, owner of several TV channels such as the food network, HGTV, diy, etc.

Tina Roth Eisenberg

What is your favorite color?
White. It is the combination of all the colors of the visible light spectrum.

What is your favorite album?
FEIST, The Reminder.

What is your favorite movie?
Playtime by Jacques Tati. A fabulously choreographed nearly wordless comedy about confusion in the age of technology.

Intervista is a series of interviews conducted for AisleOne with some of todays top talents in graphic design.

       

Alex Eben Meyer

Alex Eben Meyer

I don’t feature much illustration work on here but when I do, it’s because it’s just so fucking good. My good buddy Alex is one of those kick-ass illustrators that you can’t ignore. His unique style, colors and textures make his work stand out from the rest, like a Phillies fan at Shea Stadium. Alex and I meet years ago at a dreadful agency and in those days he was building terrible Flash sites with me. Now he focuses all of his time on illustrating and we should all be grateful. A Philadelphian living in NYC, he’s done work for The New York Times and PC Magazine as well as some skateboard illo’s for 5Boro NYC. This dude is so hardcore that up until recently he’s kept Classic OS 9 on his Mac just so he could run Adobe Streamline. That’s being dedicated to your art. I’ve been asking this punk to sell me one of his illo’s as a large print for years, but he’s just slacking off. Maybe it’s cause I hate the Phillies.        

Travel Ephemera

Travel Ephemera

While rummaging through FFFFound.com I found this great online gallery (the site design is hard on the eyes) of graphic design examples from the 1920s and 1930s. You can definitely see how this early work inspired designers like Brockmann and Crouwel.

On a shameless side note, if anyone has an extra FFFFound invite I would be more than happy to take it off your hands.