International Typographic Style

International Typographic Style

I just created another Flickr group titled International Typographic Style that focuses on well… the International Typographic Style. Join up and contribute any pieces that you feel fall under this category. Later this week I’m going to make a more detailed post about this topic so stay tuned.        

Akkurat Specimen 1-7

Akkurat Specimen 1-7

I hate it when I find out about an item that I really want after it’s already sold out. The Akkurat Specimen offered by Lineto and designed by Laurenz Brunner is one of those items. The first edition is sold out and no longer available but they’re currently considering a second revised and extended edition. If you would like to get your hands on a second edition as much as me, shoot them an email and maybe if enough of us request it we can get our hands on a copy.

The «Akkurat Specimen 1-7» package contains 4 booklets showcasing all seven cuts in various sizes and settings. They are punch-cut for easy storage in standard folders. By way of an ingenious folding technique, each booklet unfolds into a poster sized 390 x 600 mm.

4 booklets 150 x 195 mm, wraps and stickers.
2 colour offset printing with spot varnish.
Comes in a special foil-blocked sturdy cardboard envelope for safe delivery.

Printed in a limited edition of 500 copies by Calff & Meischke and Verhil Foiledruk, The Netherlands.
Designed by Laurenz Brunner

Via Swiss Legacy
       

AisleOne BookShelf 3rd Edition

Emigre 57

The third edition of AisleOne BookShelf features Emigre Issue 57 – Lost Formats Preservation Society designed and edited by Experimental Jetset. This issue focuses on the lost formats of storage data. There are some essays but it’s mostly full of visual goodness. Pages and pages of big, bold type in beautiful Helvetica designed in EJ’s typographic style.

Emigre 57 – Lost Formats Preservation Society
Designed and edited by Amsterdam’s Experimental Jetset, Emigre 57 is an homage to lost formats—a celebration of customized mixtapes, obscure computer discs, and forgotten standards. The issue, while questioning its own physical manifestation as a magazine, reminds us how once each format used to contain its own specific data, while today the CD/DVD format is capable of containing ALL data, setting the stage for the final step, the mythical non-format.

You can view more photos of the books on the AisleOne Flickr page.