AisleOne. A visual journal on design, photography, film, music and culture.
100 Days is a fascinating project by Jessica Svendsen in which she created daily variations of Josef Müller-Brockmann’s excellent Beethoven concert poster. The project was part of the Michael Bierut 100 Days Workshop at the Yale School of Art.
Keeping with the Swissair theme, this fansite of the airline contains a ton of marketing collateral including posters, flyers and advertising. A lot of great stuff here, especially from the 60-80s.
The uber-talented Mark Bloom of Mash Creative just wrote in about these gorgeous ‘Really Useful’ posters they’ve created, extending the philosophy and thinking behind their State of the Obvious brand. The series consists of four themed posters: Greenwhich Mean Time, Emoticons, Print Sizes and Metric Conversion information and are available in A0, A1 and A2 sizes exclusively from Print Process.
Some people will find these designs to be boring, but I personally find them to be visually stimulating. The obvious grid, simple but rich color palette and staggered typography create interesting designs that are reminiscent of the classic International Typographic Style from the 50s and 60s. This is the kind of stuff that gets my creative juices flowing.
I’m in love with these stunning posters for the Quadra Gallery by designer Donna Wearmouth. The mix of the simple shapes and black and white are just pefect.
A lovely series of posters by Ryan Atkinson that brilliantly mixes fashion, typography and design.
SEA‘s latest publication ’22 Posters’ has been produced in conjunction with an exhibition of work in Belfast. The book features, as A6 postcards, 22 highlights from their poster archive, including designs for K2 Screen, Rankin, GF Smith and Wim Crouwel.
The book is printed in 5 colors on GF Smith Ebony Colorplan/Naturalis paper and quarter bound in dark grey cloth.
Only a limited amount are being produced and you can purchase a copy from their website for £5.00 + p&p.
