LemonAid Beverages

lemonaid

One of my favorite design studios, BVD, just finished up some stunning new work for the German company LemonAid Beverages. They created a simple and eye catching design for the new drinks ChariTea and Lemonaid. BVD also selected a classic bottle design on which the graphics are silkscreened instead of using labels. I’d drink this stuff even if it tasted bad just because the design is gorgeous. Also, definitely check out the LemonAid site by demodern. The typography and videos are awesome.        

Michael Kosmicki

michael_kosmicki

Michael Kosmicki is a graphic design student at Central Saint Martins College of Art & Design, and his work simply blows me away. I’m amazed at how refined it is, but what I love the most is Michael’s classic sense of style. A lot of his pieces feel like they’re right out of the golden age of Swiss design. Perfect in every way. If we did any print work here, I’d hire this kid in a second.        

Tankboys

Tankboys is a multidisciplinary Venice based studio founded in 2005 by Lorenzo Mason and Marco Campardo, focusing on cultural, artistic, editorial and
design project.

Every piece in their portfolio exhibits beautiful typography, strong grids, and a minimalist approach. It’s great to see the International Typographic Style still thriving. Tankboys have become one of my favorite design studios, up there with Experimental Jetset and The International Office.        

Chocolat Factory Identity System

chocolat_factory

Here’s an great example of a well designed graphic identity that doesn’t over do it and supports the content. Designed by Ruiz+Company for Spanish chocolate company Chocolat Factory, the identity features a clean sans-serif (which looks like DIN) and a wonderful color palette. Reminds me of the gorgeous identity system for Brooklyn Fare.        

The Lost Poster

objectified_poster

We’re all familiar with the silver Objectified poster, but Michael C. Place designed a second version with a white background and silver objects and black text that wasn’t used. It’s now being released as a limited edition letterpress, printed in metallic black and silver ink, on Crane’s Lettra 300gsm paper. Sounds like heaven.

It’s being printed by the awesome Brooklyn based Coeur Noir Letterpress, the same folks that printed the Helvetica poster and my son’s baptism invitation. They do stellar work.

Only 100 will be printed and you can grab one for $125.