
Beautiful packaging and identity design by Atipus for Fruita Blanch. Great color and typography give the identity a certain character.
AisleOne. A visual journal on design, photography, film, music and culture.

Beautiful packaging and identity design by Atipus for Fruita Blanch. Great color and typography give the identity a certain character.

A lovely directory designed by Marc&Anna for the London Design Festival’s Tent London show. The typeface used is F37 Bella by Rick Banks. I also love the use of the pink/salmon paper.

RM Regular is a new sans-serif typeface by Mash Creative. The Opentype font includes a full character and glyph set, and supports 47 languages.
The first 100 people to buy the font also receive a limited edition poster printed on 200gsm GF Smith Accent Smooth Glacier White stock.
Tom Carnase has created some of the most iconic logotypes for Brooks Brothers, Saks Fifth Avenue and Calvin Klein, just to name a few. He also worked along side Herb Lubalin and helped him create the popular Avant Garde typeface. Some of his lettering work is displayed here, but I recommend that you do a Google search to see all of his great pieces.

Stunning. This is a series of paper cutouts by Australian designer, Bianca Chang. The 3-dimensional letterforms are created with multiple sheets of 80gsm paper. These much be really amazing in person. The form must change depending on the angle of view.
I’m super excited about this exclusive AisleOne feature. The fine folks at Process have released a special edition publication titled: Process 4.5.
Process 4.5 is the first in a series of special edition Process publications. Printed in only black on lightweight 70gsm Bond, Process 4.5 purposely contrasts the usual high production qualities of the quarterly journal, as well acting as a platform to experiment with different formats and production techniques. The publication’s content is a reflection and retrospective of the first four editions of Process Journal.
Consisting of three major parts, the first a comprehensive essay written by typographer and design-lecturer Brad Haylock. The second a typographic analysis of each of the typefaces featured in editions one to four, including type samples and specimens. And finally, a selection of contributors from editions one to four were asked a simple question: What is your process?. Including responses from Brett Phillips (3 Deep Design), Michael C. Place (Build), Mason Wells (Bibliothèque), Tom Crabtree (Manual),Tony Brook (Spin) and more..
View hi-res images of the publication.
You can grab a copy on the Process store.