AisleOne. A visual journal on design, photography, film, music and culture.
To celebrate the launch of the new site, and my 1000 post which will happen any day now, the Limited Edition 2010 Letterpress Calendar is on sale for only $30. There are only a little over 25 calendars left so grab one before they’re all gone.
The calendar measures 16.5″ x 23.5″ (A2) and is printed on Crane Lettra Fluorescent White 110# (300gsm) paper that is specially developed for letterpress printing.
Each print is numbered and signed.
Peter of The Luxury of Protest has emailed me about this folded A3 catalogue he and Karin von Ompteda designed for the Royal College of Art. On one side the catalogue highlights seven students representing the seven different schools that comprise Research RCA department.
On the other, the entire student body is visually represent through an information visualization that shows the distribution of all Research students across departments. Each student was recorded with regard to school, department, degree type (MPhil or PhD), project type (Project or Thesis), status (Part or Full-Time), nationality and relationships to collaborators and funding agencies (arched connection lines).
Set in Akkurat and Didot and offset printed in single color (PMS Black) with yellow gold foil stamp on Arjo Wiggins Curious Metallics White Gold 120 gsm paper.
Gorgeous. Wouldn’t expect anything less from Peter.
It’s that time of the year again and the uber-talented David Bennett has released his mouth-watering 2010 calendar poster. The poster is set in Europa Grotesk and printed one color on a 80gsm stock. I just received one in the mail and it’s stunning in person. If you ask him nice enough he might send you a copy.
David over at SeptemberIndustry spotted this gem on Experimental Jetset’s Myspace page. A gorgeous set of print work EJ did for an Heimo Zobernig exhibition in Bordeaux. The work includes an A2 folded to A5 Invitation, A4 Catalog and a massive poster.
I love how the minimal design really makes the poster stand out in a public environment. Exceptionally strong and stunning visual.
Some lovely work here by NYC based designer Lucas Nasson.
Pictured here is a poster for an event at Lincoln Center. Love the black & white and the grid. The image is a little tall but worth it to see the entire piece.
Today I received an email with the following image attached from an AisleOne reader named Rob, who’s a designer and instructor. According to Rob, the image of the poster was found by one of his students who was doing research for a report. No info can be found about it, other than it being created by the great Armin Hofmann.
I did a little research myself and couldn’t find any info about this poster, but I did find info on the model shown. It’s an Audi 60 which was produced from 1968 to 1972, giving us a slight idea as to when the poster was created.
What strikes me the most about this poster is the simplicity, elegance and beauty of the visual. The white background, large type and straight-on angle of the car create a stunning image. Rob explained it well in the email:
I love the way the AUDI logo is reflected in the roof of the car and visible through the back window, which would have been a lot more difficult to achieve in the pre-Photoshop era.
I agree.
As for the typeface used, it’s hard to tell but it seems like it could be either Akzidenz Grotesk or Univers. Anyone?
I wish there was more info on this poster and I wonder if there was a series of them done by Hofmann. If anyone has any info, please email me. In the meantime, we can all admire its beauty.