Tim Navis Photography

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I’ve been a fan of Tim Navis’ work for sometime now, and I’ve been meaning to feature it here. A recent post on ISO50 inspired me to finally do it.

Tim’s photo work is exceptional. What stands out the most for me are the compositions and color tones of the images. The colors have a natural, almost vintage feel to them. Tim creates vibrate and exciting colors, but there’s also a washed out look to them that I love. The blacks are never crushed, and the whites have a slight yellow tint to them. I aim for similar color tones in my photos.

You can purchase some of these wonderful images over in Tim’s store.

Laurent Nivalle Photography

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French photographer Laurent Nivalle has a stunning portfolio, but it’s his Le Mans Classic series that just blows my mind. The mix of vintage race cars, and the faded colors trick you into believing that these are photos from the 60s. The crops and compositions are just perfect, and the buttery shallow depth of field make the images irresistible. Makes me miss DSLRs. Laurent does also have an excellent gallery iPhone photography.      

It’s Not The Gear

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Lately, I’ve been hit with the photography bug. It usually happens to me once a year. It goes something like this: I get the bug, I research cameras for a week, I buy an expensive camera, I use it non-stop for a few months, the bug goes away, I sell the camera.

I’m a gear head, so when I become obsessed with something I immediately try to find all the best gear that I can get my hands on. It’s good because I get to learn and experience new things, but it’s also bad on my wallet. And when it comes to photo gear, there’s no stopping me.

Until recently.

After countless cameras, and years of searching for the perfect camera that would push my photos to the next level, I’m now a firm believer that the best camera is the camera that you have with you. Yes, a Hasselblad H4D-60 will blow any other camera away, but you don’t see many people in street with a $42,000 camera hanging from their necks.

I hated lugging around a big ass body, with a big ass lens and a hood attached to it. That was the primary reason why I would stop shooting: I didn’t want to carry around all that stuff. I used to carry around a Hasselblad 503, with a prism and metal hood. The damn thing weighted a ton—and it sure captured some amazing photos—but after a few hours of carrying it, I wanted to throw it in the garbage. I hated that feeling because it ruined the moment and eventually led me to feel unmotivated. The tool was getting in the way of my creativity.

Now I just shoot with my iPhone 4. I already carry it around, and the built-in camera is pretty damn good. When I see an interesting shot, I just pull it out and snap a photo. The joy and spontaneity of shooting is instantly back. I would love it if Apple added some advanced features to the camera app—like shutter and aperture control—and I do miss me some depth of field, but overall the phone produces some fine images.

I think I’ve achieved some good results with this little camera. I took the photo to the left with my iPhone. This guy did a fashion shoot with an iPhone 3GS. Granted, he used a great lighting system, but the images are still impressive. Check out these folks who took a great looking shot with a Canon Powershot SD630 and some basic lighting. Professional fashion photographer Terry Richardson does entire shoots with a Yashica T4 point and shoot and the photos look great.

Don’t get me wrong, it is much easier to produce a great photo with high-end camera. That’s why it’s even more impressive when a great photo is taken with a lower-end one. The talent truly shines in that case.

My point is, in any creative field, the tool isn’t important. It’s what’s behind the tool that counts. So, don’t stress about getting a Canon 1Ds Mark III or the latest version of Photoshop. Just create.      

The Corinthian

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I don’t post much about my photography, maybe it’s because I don’t shoot enough to warrant it, but I want to change that. I’ve been thinking about my next camera and it comes down to a Nikon D90 or a Leica D-Lux 4. The Leica is winning because it’s compact and I’ll use it more, but I don’t like the lack of a short depth of field.

Anyway, I currently use a basic Panasonic FX33 which isn’t even good for family photos. I sometimes manage to get some decent shots from it like the one above. I came across this interesting apartment building in Manhattan and just snapped away. The curves of the building and the gray sky made for some excellent silhouettes. You can view more photos of the building here. I also snapped this nice pic this past weekend.        

Visual Acoustics: The Modernism of Julius Shulman

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Visual Acoustics is a documentary film by Eric Bricker that explores the career of the extraordinary architectural photographer, Julius Shulman. His aesthetics, composition and style create timeless photographs that epitomize modern architecture. Shulman is easily one of my favorite photographers.

Unfortunately there isn’t a good online gallery of his complete work, you have to do some searching to find most of it. But there is an amazing book set titled Julius Shulman, Modernism Rediscovered that catalogues his personal archives. Gotta get my hands on a copy.

The film is being screened in limited cities, one of which isn’t NYC, which I don’t understand. Shulman himself will be speaking at some of the screenings and if you’re lucky enough to be in one of these cities, definitely check it out. It’s should be a good one.