
I’ve always been a big fan of Darren’s work, so it’s good to see some new stuff from him. Always a great inspiration.
AisleOne. A visual journal on design, photography, film, music and culture.

I’ve always been a big fan of Darren’s work, so it’s good to see some new stuff from him. Always a great inspiration.

14/41 – 14 Years, 41 Logos is the first book from Mash Creative founder Mark Bloom. Produced as a limited run, the book showcases 41 of his favourite logos designed during a 14 year career. Includes five golden rules of logo design and an insight into how he approaches an identity brief. 148mm x 210mm, 100 pages, P.U.R bound with white foil debossed logo to the cover, this beautiful soft back book has been printed with an enticing mix of GF Smith Colourplan and Olin rough papers.
Available to buy from here.

A great identity system for interior design studio Hecker Guthier, by Cornwell. The combo of textures, elegant type and distressing make it perfect.




Australian design firm, End of Work, created this wonderful identity for a coal mine called Mangoola. I never imagined that a coal mine could have such beautiful print material. They explain:
Mangoola is a coal mine situated in Australia. “Mangoola” is thought to mean “black cockatoo” in Aboriginal language. The Cockatoo is a native bird to Australia. Using the name’s meaning as inspiration Sydney based studio End of Work created beautiful print pieces to represent the the feathers of a bird and the strata layers of the earth. This was achieved through a large foil blocked pattern, and laser cutting paper. Launch invitations, Commemorative books, brochures, cards and stationery was produced on black Notturno paper stock.

A lot of yummy work by Spanish design consultancy, Marnich Associates.

I’m loving the work that Dowling Duncan did for Studio Whitehorn. Clean, beautiful, no BS.