



BVD recently updated their site with some great new work, one of which is this beautiful 7-Eleven branding. Unfortunately for us US folks, it looks like it’s just for the European market. We have to settle for this crap.
AisleOne. A visual journal on design, photography, film, music and culture.




BVD recently updated their site with some great new work, one of which is this beautiful 7-Eleven branding. Unfortunately for us US folks, it looks like it’s just for the European market. We have to settle for this crap.

I love this corporate identity and stationery by Bedow for Askeroths trappor och räcken, a small Swedish manufacturer specializing in custom built stairs and railings.

After 30 years, USA Today has finally redesigned themselves, and I personally love it. The work was done by Wolff Olins, and the new logo features a simple circle and text set in Futura. Each section of the paper gets its own colorway and lockup. Nicely done. What do you think?

Incredible work from Studio 2br.

In 1958, Polaroid hired graphic designer Paul Giambarba to help them develop a new visual brand that would separate them from Kodak. What Paul designed was a simple, beautiful and unique visual language. At its core was a color bar system and sans-serif typeface that is still recognizable today. The typeface used in the branding is News Gothic, by Morris Fuller Benton.
To my enjoyment, Paul has blog where he’s written about the branding and gives a little insight on what went into developing this brand. This info is pure gold, and hopefully it remains available for a long time.

Very nice work from Belgium based agency, Coast. Especially this branding for Alixx.