AisleOne. A visual journal on design, photography, film, music and culture.
Here’s some stellar work by Brazil studio Quadradão. The work definitely has a nice authentic feel that reminds of some of the great classic pieces from the 50s and 60s.
The Netherlands based agency Almost Modern has updated their site with some juicy new work. Pictured here is an invitation to the ‘Popular Populism’ debate set in Folio.
Dan Reisinger is an Israeli graphic designer who’s work includes posters, calendars, logos, corporate and environmental day. He’s probably most known for his work for EL AL Airlines, which includes a beautiful series of destination posters that were designed from 1968-72.
I love his style and his work is probably the only example I’ve ever seen of good design that uses Hebrew letters.
Reisinger also designed this lovely perpetual calendar for MoMA in 1987.
I’ve been meaning to post about this for a month now and finally got around to doing it.
Experimental Jetset recently designed this lovely poster, for architecture firm Shepley Bulfinch, announcing their 2010 fellowship. The design is based on the Roman numerals ‘MMX’ represented with geometric forms that relate back architecture. A brilliant piece.
You can read more about the design process on Shepley Bulfinch’s blog and get a peak at an early sketch EJ did for the poster. It’s always interesting to see how a design evolves from a sketch to the final piece.
In celebration of their 10th anniversary, Method has released the 10×10 series, which will focus on game changing topics that will
fundamentally impact today’s brands and their search for new revenue streams. The series includes essays, salons, and speaking engagements by industry leaders.
The first issue of the series, “Cable’s Lost Generation“, takes a look at the future of television and digital communications. A downloadable PDF of this issue is available on the site.
When my boss dropped a copy of the first issue on my desk a few weeks ago and I was immediately impressed by the stunning design. Well done in my book, but coming from Method, it’s expected.
When I first saw Tom Balchin’s work, it blew my mind. This talented designer has a certain style that just seems perfect to me on every level. Tom uses only the minimum amount of elements and colors and organizes them on a solid grid. Perfect.