
Xavier over at Swiss Legacy has written a little something about his experience at the Wim Crouwel Conference.
AisleOne. A visual journal on design, photography, film, music and culture.

Xavier over at Swiss Legacy has written a little something about his experience at the Wim Crouwel Conference.

Design Remixed: Giampietro & Smith
Wednesday 18 April 2007
Apple Store, Soho
103 Prince Street
New York, NY 10012
6:30 to 8:00 p.m.
Giampietro+Smith is a design studio based in New York City focusing on cultural, editorial, and nonprofit projects for a wide variety of clients including Gagosian Gallery, Knoll, Topic magazine, the United Nations, and the NYC2012 Olympic Bid. The studio’s work has won numerous awards including design distinctions from I.D. magazine, Print Magazine, the Type Director’s Club, and AIGA. Rob and Kevin are professors of communication design at Parsons.
Join AIGA and Apple for the series, “Pro Sessions: Design Remixed,” and hear how professionals today are redefining their creative process. Featured speakers will share their insights into the changing landscape of design and discuss how design has evolved and creativity has diversified beyond any single discipline.
Well I just got back from the NYC premiere of Helvetica, a documentary film by Gary Hustwit, and it was great. Very well done. The film gives you some great insight from designers on how the world has been affected by this great font. The movie features Massimo Vignelli, Jonathan Hoefler, Tobias Frere-Jones, Danny van den Dungen, Neville Brody, Wim Crouwel, Michael C. Place and more.
One of the most interesting points of the movie is the whole Modernism vs Expermiental argument. Legends like Vignelli and Crouwel expressed their passions for Modernism and how the influx of typefaces, especially the more “grunge” fonts, have ruined typography. Something I personally I agree with. I was pretty shocked how Stefan Sagmeister and David Carson blatantly trashed Modernism and pretty much Helvetica itself, calling them both “boring”. As a designer I really don’t see how you can say Modernism and Helvetica are boring, even if you don’t like that specific style you can still appreciate it. Just like how I don’t particularly like Bob Dylans music but I totally understand the impact it has had and I appreciate it. Anyways, I do have less respect for Carson and Sagmeister after this movie and honestly I don’t think they do great work to begin with, but that’s just me. I do understand why they are respected and I respect that.
After the movie they had a nice Q&A panel with Vignelli, Hoefler, Frere-Jones, Hustwit and some other dude who’s name I forgot. I then met Hustwit and Vignelli and had them sign my poster like a dorky fan that I am. I had a really great time and I think every graphic design/typographer should see this movie, even if you are one of those people that hates Helvetica.

If you love LaChapelle’s work as much as I do and you are in NYC, then check out his new exibit “Awakened” at the Tony Shafrazi Gallery from February 24 — April 28, 2007.
Tony Shafrazi Gallery
544 West 26th Street NY NY 10001
Tel: 212.274.9300

On the same day as the NYC premiere of the Helvetica Film, the MOMA will have an exhibit celebrating the greatest type face of the 20th century, Helvetica. Don’t miss it!

This is probably old news already but the sign-up phase for May 1st Reboot begins March 19th.