Neubau Grotesk
June 17, 2008

Very nice new typeface by Neubau that will be available in 6 weights on July 1st.

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Amalia Is Beautiful
May 28, 2008

No, Amalia is not some sexy italian woman, it’s a new typeface by OurType. I’m not much of a Serif lover but this face is damn sexy. I’m thinking about using it on a current project I’m working on.

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The Subtype Foundry
May 12, 2008

Formally known as Typisc, Subtype is a type foundry by Andreas Pihlström.

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Slawek Michalt
March 27, 2008

Interesting type work by Slawek Michalt.

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A Sign Systems Manual
March 11, 2008

This beautiful specimen just arrived today. A Sign Systems Manual by Theo Crosby, Alan Fletcher and Colin Forbes illustrates and describes a simple basic system for designing, contracting and displaying signs. It also dives into the history of alphabets and the development of type. It’s an excellent inspirational resource jam packed with pages and pages […]

Help Save An Icon Of Design History
March 10, 2008

Completed in 1966 and installed in the cafeteria of the CBS building, the Gastrotypographicalassemblage wall of type was created by legendary designers Lou Dorfsman and Herb Lubalin. The wall remained in the CBS cafeteria for over 20 years until it was removed in the 80’s and left to rot somewhere. It might have been lost […]

Social Gothic
March 4, 2008

I only use handful of typefaces, mainly classics like Helvetica, Univers, Akzidenz Grotesk, Avant Garde and Futura, and I’m not a firm believer of using multiple typefaces in a design. So it’s rare when I find a modern typeface that gets my design juices flowing, and today I’ve found two.
Social Gothic is a new typeface […]

Ealing
March 4, 2008

Beautiful six weight font by Michael Parson called Ealing.

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Grids In The Real World
March 3, 2008

It’s one thing to write about how useful and important grids are for a design, it’s another thing to utilize them in a real world project. I recently designed this site for my wife’s event company using a grid system that I’ve developed that also incorporates a baseline grid. It’s very similar to the grid […]

Intervista: Andreas Pihlström
February 29, 2008

Andreas Pihlström is a Lead Art Director at North Kingdom and specializes in graphic design and typography for print and interactive design. His work has been featured in Computer Arts and is the founder of the type foundry Typisc and co-founder of the design portal Reform & Revolution.

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Print Design And Industry
February 10, 2008

Print Design and Industry is the online portfolio of Aaron Pou, who’s created this beautiful Helvetica poster.

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Post-It Typeface
February 4, 2008

Check out this typeface created with Post-It notes by student Sanda Zahirovic. Pretty neat.
 Via SwissMiss

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Can You Name This Typeface?
February 3, 2008

I was chopping up some boxes today for recycling and I noticed this Scientific Atlanta logo on one of them. At first glance I immediately thought it was Helvetica , but on closer inspection I was wrong. You can see that the “a” and “t” are slightly different than the forms found in Helvetica and […]

Ivan Mato
January 29, 2008

Outstanding work by designer Ivan Mato. Every aspect of his portfolio is visual perfection.

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Huge Type Looks Sweet
January 25, 2008

Great t-shirt by Turn Nocturnal.

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Andrew Hatcher
January 24, 2008

Andrew has created this beautiful typeface along with other great work. Definitely check out his portfolio.

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Sulki & Min
January 24, 2008

A ton of excellent work by Yale University graduates Sulki Choi and Min Choi.

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SuperScript
January 24, 2008

SuperScript is a french based collaboration of Pierre Delmas Bouly and Patrick Lallemand that creates some stunning design and typography work. They also publish the type magazine Ink.

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Knoll 21st Century Classic
January 22, 2008

This classic Knoll poster that was originally printed in 1999 is being made available in a limited run 250 next month. Printed by K2 Screen, it’s screen printed on A0, 175gsm, Ebony Colorplan paper.
You can pre-order a copy at Blanka.
Via Swiss Legacy

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TypeNeu
January 19, 2008

Here’s an excellent new site called TypeNeu that focuses on past, present and the future of typographic culture. An excellent resource of inspiration which is very much welcomed.
Via Swiss Legacy

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