Posts Tagged with “graphic”

There

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You have to respect any stu­dio that has Brock­mann and Crouwel posters on their walls. There, an agency based in Aus­tralia, has com­piled an excel­lent body of work.

On a side note: I don’t like how their site func­tions. It’s pretty and all but it becomes very annoy­ing when I have to wait for a new piece to load in Flash. It ends up tak­ing for­ever to see all of the work and I quickly lose inter­est. I also don’t like that you can’t eas­ily see all the work at once, even in thumb­nail form. All the work should be right there and easy to view rather than hav­ing to explore the site in the dark. A good port­fo­lio dis­plays all the work at once, clearly and orga­nized, so it makes view­ing faster and more excit­ing. Area 17 is a great exam­ple of this. Flash is def­i­nitely the biggest cause for this issue. I think it’s being used more and more in a way where it’s become a bar­rier between the user and the work. In my opin­ion a sim­ple CSS site works so much bet­ter for portfolios.

I’m not try­ing to trash There, they do awe­some work, it’s just some­thing I’ve been both­ered with for some time now and needed to vent.        

My Avant Garde Collection

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Recently I started to col­lect­ing vin­tage Avant Garde Mag­a­zines, mainly the ones with the pretty cov­ers full of Avant Garde good­ness. Herb Lubalin did a won­der job with this mag­a­zine. His inte­rior lay­out designs are sim­ple, clean and beau­ti­ful to look at and the type­face is one of my favorites. It’s amaz­ing how the type­face has gone on to be such a big part of the mod­ern design cul­ture. I see the damn thing every­where, even in cheesy cat­a­logs and sig­nage, and it’s butcher most of the time. But when used cor­rectly it can be a won­der­ful thing.

Any­way, my col­lec­tion is small, it only con­sists of issues 8, 11 and 13. Issue 8 is unique since it was released with 3 dif­fer­ent cov­ers. One white, one tan and one in a thick brown paper stock. Looks great in person.

Check out my Flickr page for more photos.        

Sexiest Form You Ever Saw

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This is prob­a­bly the sex­i­est form I’ve seen in a while. Right up there with that Eames form. I want one.

It was cre­ated by Ewan Robert­son of Oscar And Ewan for Ter­race Stu­dios, a gallery in Dal­ston, Lon­don. The project includes iden­tity, design and a web­site which you can check out there.    

Ivan Mato

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Out­stand­ing work by designer Ivan Mato. Every aspect of his port­fo­lio is visual perfection.        

Alexander Turner

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Some very inter­est­ing type work by UK based designer, Alexan­der Turner.        

We Shall See

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Some nice work by Chris Grey.

Via Form Fifty Five        

New Museum Branding

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I’m lovin’ the brand­ing that Wolff Olins cre­ated for the New Museum in NYC using the type­face Neo­graphik. I have to head down there and check this place out. Read more about it at Cre­ative Review and Brand New.    

Post Expose

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Post Expose is a screen print­ing and design col­lec­tive in Long Island City, NY that offers screen print­ing ser­vices, classes, lec­tures, rentals and also hosts some great exhibits. What’s really inter­est­ing about Post Expose is that it allows artists and design­ers to share tools, space and knowledge.

It’s was started by graphic artist Sarah Mead who I had the plea­sure to met this week­end. She’s awe­some and knows a ton about screen print­ing and typog­ra­phy. I passed by on Sat­ur­day to go over some project details with Sarah and I ended up stay­ing for 3 hours. We just chat­ted about design, print­ing and typog­ra­phy the entire time and I quickly found out that Sarah is just as obsessed with the grid sys­tem as I am. If you are in the area def­i­nitely stop by to check the place out and say hello. It’s worth it.        

The Pelican Project

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Excel­lent gallery of Pel­i­can books rang­ing from the 1930’s to the 1980’s and orga­nized by year. The cov­ers designed in the 60’s and 70’s are my favorites.

Via Ace Jet 170        

Thinking For A Living Booklet

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Here’s a recent addi­tion to the AisleOne Bookshelf.

Cre­ated for the Dal­las Soci­ety of Visual Com­mu­ni­ca­tions 3rd Annual National Stu­dent Show & Con­fer­ence, this com­pan­ion book­let to think​ing​foraliv​ing​.org was cre­ated by BBDK’s cre­ative direc­tor Duane King. Sized at 6″ x 9″ and con­sist­ing of 42 pages, the book­let is printed on salmon col­ored newsprint using only Cyan and Magenta. It’s absolutely gor­geous in per­son and a must for any col­lec­tion. Duane did an excel­lent job. You can pur­chase at copy at You Work For Them.

You can view more pho­tos of the book­let on my Flickr page

Also, don’t for­get to check out my inter­view with Duane King.    

Huge Type Looks Sweet

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Great t-shirt by Turn Noc­tur­nal.